This is the third post in an ongoing series on the ephemera on the Adelaide music scene, 2001-2010 – essentially it is some old gig flyers that I’ve collected. I’ve been photographing 10 at a time (see other posts here and here) to record a discreet moment in the history of the Adelaide music scene, in a particular subculture. Although in Adelaide, many people would argue that there was considerable subcultural crossover – punk, indie, metal, electronica, goth, folk – because there weren’t enough venues/bands to sustain completely independent subcultures. So here goes with another ten.
The Grey Daturas were a guitar/noise band from Melbourne. I remember being blown away by the volume of them, especially at the usually noisy Cranker.
This gig shows the origins of some quite successful bands. Henry Wagons pops up on Spicks n Specks and Rockwiz, while Wolf & Cub (in some incarnation) signed with 4AD Records. But I think Matt Banham’s (No Through Road) tweets are the best.
Dr Ianto Ware is now some high-flying government agency type, promoting Australian music around the place. The Prince Albert was a great venue for music and football watching. I remember seeing Italy kick Australia out of the World Cup in 2006 at the PA.
The Jade Monkey has now been knocked down to make way for some hotel. We won’t see gigs like this anymore.
The Grace Emily was a good venue for promoting female-led gigs and this may have been part of a series of gigs put on by Cookie Baker to promote female musicians in Adelaide. Leigh Stardust was awesome – great music and even better on-stage banter. She should really come out of retirement.
This was one of the few punk shows that played at Urtext. As I mentioned in a previous post, Urtext was notoriously difficult to find, so flyers sometimes had directions to the venue on the back (see below).
Snap! Crakk! were ex-Adelaideans making electro-indie-pop in Melbourne, although they were more humorous when they were Snap! Crack! Le Pop! Daggerzz Sound System was a monthly night at the Cranker run by Tom and Brett from Love Like… Electrocution. It made for a great Thursday night.
This was the first gig I ever organised and was one of the few times that the Lizard Lounge was fully occupied. A great gig, although Uberstomp and Sound of Mercy Killing didn’t play. Nick and I were The Hated Salford Ensemble (taken from the name given to the synthesiser Johnny Marr used on The Queen is Dead), and we also played several songs with Ringo Stalin and the drummer from The Paddington Bear Affair for an encore of ‘Every Day is Like Sunday’ and ‘The Last of the Famous International Playboys’.
Karl’s event that combined the hawking of DIY wares during the day with great bands at night. Avant Gardeners were unusual in that they used an overhead projector and ink as part of their backdrop, which made for a visual, as well as aural, experience. I remember Karl sold me a rare green vinyl version of PiL’s first record for $15 at this event.
I’m not sure what incarnation of Aviator Lane this was – Mike played a solo performer, as well as in a three/four-piece band – but Princess One Point Five was a pretty good act to be playing with.
If you have any flyers that you’d like to see preserved on the internet, or if you attended (or played at) any of these gigs, please get in contact or comment below.