Following on from this post in January, this post is the second installment in my series of curating the music flyers of the Adelaide scene between 2003 and 2008. Here we go again down memory lane…
Minke was a bar underground below the Rosemont Hotel on Hindley Street. It wasn’t really a band-oriented venue, but a place to go at the end of the night. Snap! Crack! Le Pop! were a great three-piece who played electro, tongue-in-cheek songs. The band became simply Snap Crakk when Michael and Yama moved to Melbourne.
The Underground was a Christian-run music venue that was used by a lot of hardcore/straightedge bands. As it had no bar, it was all ages. Hardcore kids used to line up all down Waymouth Street for gigs. The Paddington Bear Affair were a great band – a six piece of underage kids (when they started) that played screamo styled music. Their drummer ended up playing in my crappy band.
K Records’ legend Calvin Johnson played an ‘unplugged’ (literally) set at Rocket Bar on Valentines Day 2005. As he only played acoustic guitar with no PA, the audience had to be very quiet or they drowned him out.
Jacques Chirac Attacque was my band’s name for this show only. We had a policy of changing our name for each gig. As the flyer says, we were also Space Horse and Go Black Panthers! at different shows, as well as Jimmy Floyd and the Hasselbainks, Not in the Face, Time for a Tiger, Hot to Trotsky, the Hated Salford Ensemble, Stroszek, and Mike Rann and the Mechanics, amongst others. This show sticks out in my memory for two reasons. Firstly, while the Jade Monkey was a well-known Adelaide music venue, our drummer had never played there and got lost, only arriving two minutes before we were supposed to go on stage. Secondly, we took the French theme seriously and had a fight with baguettes on stage during our last song.
This is an alternative flyer to the gig at Avalon featured in the last post. It was probably designed by the guys from My Sister the Cop, who always had very intricately drawn flyers.
Jemima Jemima were quite an avant-garde band, with Michael from Snap Crakk on guitar. They released one CD on Unstoppable Ape Records and broke up very shortly afterwards I believe. Sweet Raxxx were Adelaide’s answer to Gravy Train!!!
Limited Express (Has Gone) was a Japanese band that was touring with The Roger Sisters. The night before their show at the Grace Emily, the kids from Paddington Bear Affair organised a secret show for them. The venue was supposed to be the squat on Coromandel Place (next to the Historian Hotel), but some of the occupants of the squat refused to let people in. The bands thus played in the lounge room of a small flat on Hindley Street. It was the debut gig of I’m Gonna F**king Kill You, who were practising in the flat when a whole bunch of people rocked up, having walked down Hindley Street after finding out that the show at the squat was not going ahead.
No Through Road were a regular feature at the Jade Monkey. As they were headlining, I’m assuming it was the full six piece version of the band at this particular gig. When No Through Road debuted the full band at the Jade Monkey, the lead singer Matt apparently fell of the drum kit and hit his head during their cover of Weezer’s ‘Say It Ain’t So’. Very rock n’ roll.
The Proscenium was a goth/electro club off of Hindey Street that had been a famous Adelaide venue since the 1980s. The basement wasn’t used that much, but occasionally had bands. This show was the last gig for Love Like… Electrocution with their original guitarist Tim, who ended playing in Snap Crakk.
Brutal Snake started off as a solo act featuring Tom (from 1984, St Albans Kids and Love Like…) playing very noisy guitar, before becoming a full band. Artax Mission had a similar noisy post-rock guitar sound. I am assuming that this was still when The Exeter had gigs in the back beer garden, rather than in the front room. Brutal Snake in the front room would have been, well, brutal.
So there you have it – another round of flyers. Hopefully this shows some of the subcultural history of Adelaide, which often goes undocumented. If anyone has any memories of these shows, or have any other flyers that they’d like to see up on the web, please comment below.